It is a variant of Linotype Syntax modelled after the style of the Roman Rustic capitals. However, Linotype Syntax Lapidar Serif Display does not support titling capitals. Like the sans-serif version, it comes with Text and Display designs with same amount of fonts per family, and covers same character sets. It is a variant of Linotype Syntax containing serifs. Both families come in 5 weights of roman fonts, covering Basic Latin to ISO Latin-1 character sets, available in TrueType or PostScript Type 1 formats. Linotype Syntax Lapidar Text supports old style figures, while Linotype Syntax Lapidar Display supports titling capitals. Linotype Syntax Lapidar is available in two different design forms: Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Display. It is a variant of Linotype Syntax, but modelled after chiseled letter forms of the ancient Greeks. Characters such as C, R, fi, fl, were redesigned. Regular and bold weight fonts also include Cyrillic characters. All fonts include old style figures and proportional lining figures, while 3 lightest weights also include small caps glyphs. The family was expanded to 6 weights with italics on all weights. Based on original font design, the alterations made to accommodate hot metal and phototypesetting machines were discarded. In 1995, Hans Eduard Meier and Linotype began to produce an extensive revision and expansion of the Syntax font family. During part of the period that Oberon was under development, Meier worked in Wirth's group at ETH, developing hand-optimized bitmap versions of the Syntax fonts (this was in the days prior to font anti-aliasing). The Syntax font family was chosen by Niklaus Wirth for the Oberon operating system. Oberon version Bitmap of Meier's hand-optimized Syntax bitmap fonts as they appeared in the Oberon operating system. The Cyrillic version was developed at ParaType in 1999 by Isay Slutsker and Manvel Shmavonyan. Infinitype released Syntax under the name Saxony, including an italic and medium font. The family does not include an italic font. Different brand names and derivative fonts īitstream released Syntax under the name Humanist 531. On its release Jan Tschichold praised Syntax as "very easy to read, well designed: better than the related Gill Sans". The italics are a combination of humanist italic forms, seen in the lowercase italic q, and the obliques of industrial or grotesque sans-serifs, seen in the lowercase italic a, which retains two storeys, unlike in other humanist sans-serif typefaces like FF Scala Sans and Gill Sans, where the a has a single storey italic. The lowercase a and g follow the old style model of having two storeys. The uppercase has a wide proportion, and the terminals not being parallel to the baseline provide a sense of animation. Meier described Syntax as being a sans-serif face modeled on the Renaissance serif typeface, similar to Sabon or Bembo. In 1989, the original foundry metal design was digitized by Adobe, which also expanded the family to include bold and ultrabold weights, resulting in a font family of 4 romans and 1 italic (in lightest weight) fonts. In the period 1968–1972, Meier worked on additional weights and variations to the Syntax typeface. The original drawings were done in 1954 first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. It is believed to be the final face designed and released by D. Stempel Schriftgießerei ( type foundry) of Frankfurt am Main. Syntax is a humanist sans-serif typeface designed by Meier in 1968, and released in 1969 by the D. Originally just a sans-serif font, it was extended with additional serif designs. Syntax comprises a family of fonts designed by Swiss typeface designer Hans Eduard Meier.
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